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关键词:罗伯托·罗西里尼 不设防城市(港 台) 罗马不设防 Rome Open City 剧情 惊悚 战争
电影迷为您提供1945年由阿尔多·法布里齐 安娜·马尼亚尼 马塞洛·巴格利埃罗 维托·安尼基亚里科 南多·布鲁诺 哈里·法伊斯特 乔瓦纳·加莱蒂 弗朗切斯科·格朗雅克特 Eduardo Passarelli 玛丽亚·米琪 Carla Rovere Carlo Sindici Joop van Hulzen Ákos Tolnay Caterina Di Furia 图里·潘多尔菲尼 Alberto Tavazzi 主演,罗伯托·罗西里尼 导演的《罗马,不设防的城市》/原名《Roma, città aperta》/又名《不设防城市(港/台) / 罗马不设防 / Rome, Open City》电影在线观看,《罗马,不设防的城市》百度云网盘资源以及《罗马,不设防的城市》高清mp4迅雷下载,《罗马,不设防的城市》BT下载,希望您能喜欢!
1944年,罗马,被纳粹侵占下伤痕累累的大街。德军肆无忌惮的搜捕着保卫家园的游击队,意大利地下反抗组织领袖、工程师乔治·曼菲蒂(马塞罗·巴格利埃罗 Marcel
Plot Summary:The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life for Romans is still difficult with the Nazi occupation as there is a curfew, basic foods are rationed, and the Nazis are still searching for those working for the resistance and will go to any length to quash those in the resistance and anyone providing them with assistance. War worn widowed mother Pina is about to get married to her next door neighbor Francesco. Despite their situation - Pina being pregnant, and Francesco being an atheist - Pina and Francesco will be wed by Catholic priest Don Pietro Pelligrini. The day before the wedding, Francesco's friend, Giorgio Manfredi, who Pina has never met, comes looking for Francesco as he, working for the resistance, needs a place to hide out. For his latest mission, Giorgio also requests the assistance of Don Pietro, who is more than willing as he sees such work as being in the name of God. Don Pietro's position also provides him with access to where others are not able. Giorgio's girlfriend, Marina, a cabaret performer, doesn't even know where Giorgio is in hiding. Both Pina and Marina take measures to improve their lives under this difficult situation, those actions in combination which have tragic consequences.
第一次一大早7点就在看电影
致敬🫡意大利二战时期新现实主义名电影。同样是黑白5:4画幅,2个小时电影分两个部分,前一段重点铺陈德意志法西斯占领下的罗马城,萧条、白色恐怖中的市井生活,大量笔墨描绘了当时罗马风情画,平凡的人将在影片后半段如何奋力抗争法西斯的人格转变过程。后一段则是地下党领袖、神父被捕被严刑拷打的过程,鉴于电影史,片中审问过程仍留有剧场式戏剧式的场面调度,但神父和革命党人表现的大义凌然,意大利人不屈的灵魂也让德国士兵不忍枪毙神父。
现在看觉得挺有现实意义的
需要搞明白的问题:此片为何可以作为意大利新现实主义的代表?是题材、镜头调度、演员选择还是光影安排?
对片中三个女性的形象印象最深,早先牺牲的女性好有魅力。说是把女性化的女性形容得很恶心,但像这样的电影不正可以说明人的男性化和女性化都是很悲哀的吗。
悲剧的结尾,但反抗的种子已经种下
哈哈,可笑,面对这一些顽强抵抗的“敌人”,正义的拿着枪的的文明人们急了,他们急于扣动扳机宣判这些人的死刑来确证自己的合法性,确证自己的民族优越感和崇高的理性,哈哈,可笑
倒是现实且朴素。
意大利新现实主义开山之作
嘿说个事儿,我都记下来了。